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This would have been the most you ever used (23rd Oct 19 at 6:59am UTC)
This would have been the most you ever used green screen and special effects on a project. How did you find working on a set on this scale? Yeah, [there was] a lot of green screen, but then a lot of sets as well, he builds gigantic sets, Peter, they're huge, the green screen goes on the outskirts, the perimeter of the studio, but sometimes you can't even see it. You're on the set and you're doing your thing and there's just little slivers of green you see and he builds a lot of set, they're huge.

After a while it doesn't really matter, once you're kind of in it and you're present and you do your thing it kind of doesn't matter. Sometimes it can throw you if you don't have eyes to look at, if you're looking at a tennis ball you'd rather look in anyone's eyes, but then you just get into it. It becomes your norm, it becomes what you're used to, and when somebody does step in you go 'Oh God I think I'd rather have a tennis ball! I don't want to look at Ian McKellen right now!'

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